Sound and sequence
Roland TR-808
A deep exhibition with its governed listening and sequence study.
Enter the TR-808 exhibition →
THE ELECTRONIC RHYTHM ARCHIVEDRUM MACHINES HAVE NO SOUL
MACHINE EXHIBITIONS
Look at the whole instrument. Try the controls. Follow the records and the documents back to their time.
CURATED DOORS
These exhibitions are invitations, not a ranking or the full archive. Every image states its source role.
Sound and sequence
A deep exhibition with its governed listening and sequence study.
Enter the TR-808 exhibition →Sound under the fingers
A source-led exhibition of the sampler that made drum-machine memory feel playable.
Enter the LinnDrum exhibition →
Period advertisement
Time in four zones, with a silent, manual-backed memory study.
Enter the SP-1200 exhibition →
Collection photograph
A rhythm before the grid, with the complete instrument in view.
Open the TR-66 machine file →THE MACHINE MUSEUM
Begin here for close inspection, playable controls and the existing machine files.
Explore the exhibitions ↓Travel through manufacturers, timelines and 234 individual machine dossiers.
Browse all machines →01 // THE LINE
Twelve machines through time, including the paired CR-68 and CR-78 of 1978. Each card identifies its image role: a complete instrument where possible, or a clearly labelled collection detail. The images come from collection photography, a period catalogue, an official documentary source or credited third-party photography. Dates follow the strongest available record; where Roland’s own sources disagree, the conflict remains visible.
FEATURED ABOVE: TR-707 & TR-66
TWELVE MODELS // 1972—2025

Roland Rhythm 77 (TR-77)

Roland TR-66 Rhythm Arranger

Roland CompuRhythm CR-68

Roland CompuRhythm CR-78

Roland TR-808 Rhythm Composer

Roland CompuRhythm CR-8000

Roland TR-606 Drumatix

Roland TB-303 Bass Line

Roland TR-909 Rhythm Composer

Roland TR-707 Rhythm Composer

Roland TR-727 Rhythm Composer

Roland TR-1000 Rhythm Creator
02 // HOW WE READ A MACHINE
Every machine asks for a different route. These four lenses keep the evidence legible without forcing every story into the same shape: the object, its engineering, the way people played it, and the life it found beyond its original brief.
Controls, materials, industrial form and the physical evidence of use.
Voices, clocks, memory, interfaces and the decisions hidden below the panel.
Programming, performance, misuse and the working methods musicians invented.
Records, scenes, testimony, contested stories and cultural transmission.
03 // PATTERN BUREAU
A common four-voice reference desk for testing rhythm itself. Choose a voice, place the beats and press run. Machine-file patterns can then show what a particular instrument adds, removes or makes possible.
PATTERN: FOUNDATION / 4 VOICES / 16 STEPS / 118 BPM
Select a voice, switch its steps on or off, then run the sequence. The sounds are generated here in your browser—no sample or external player required.
Practice patterns built to demonstrate the machine’s controls; they are not transcriptions of released recordings.
A plain quarter-note foundation for learning the four voice lanes before changing the pattern.
EDITING: Bass drum
AUDIO STARTS AFTER YOUR FIRST PRESS