Yamaha RX rhythm-machine family

Yamaha RX

From the RX11 and RX15 to later machines, Yamaha’s RX range gave players several ways to build a digital drum part. Follow the numbered instruments and the separately labelled archive bank.

Undated record →
Yamaha RX15 and RX11, labelled on their panels, in the March 1984 preview. Family context; the unnumbered RX sample bank is not identified by this photograph.March 1984 · Ian Gilby / Electronics & Music MakerSource & credit ↗

Yamaha used RX as the name of a drum-machine family through the 1980s. Period coverage places RX11 and RX15 in 1984, RX21 in 1985, and an RX range in Yamaha’s July 1987 Japanese catalogue.

The machine in the record

Cover artwork for Meat Beat Manifesto — Storm the Studio.
Jack Dangers / Meat Beat Manifesto — Storm the Studio: retained artwork gives this source-backed artist account a record context; it does not itself prove the machine, a specific sound, or a recording session.

Jack Dangers / Storm the Studio.

Jack Dangers identifies a Yamaha RX-5 in the equipment around Meat Beat Manifesto’s Storm the Studio. The account places the tabletop RX5 inside a larger working system; it does not identify the source of the Museum’s unnumbered RX bank.

Read Classic album: Meat Beat Manifesto on Storm The Studio ↗

More records in the archive

The machine keeps turning up.

The Sisters of Mercy performing at Wacken Open Air in 2019.
The Sisters of Mercy at Wacken Open Air in 2019, photographed by Sven Mandel. It identifies the group around Andrew Eldritch’s Floodland account; it does not show the RX5 or the album sessions.

Andrew Eldritch / The Sisters of Mercy / Floodland

Within Yamaha’s RX family, the RX5 became part of Andrew Eldritch’s Doktor Avalanche palette for Floodland. Eldritch says he chose it for a tighter snare, then resampled its kick, snare and hats into the album’s electronic skeleton.

Read The Sisters of Mercy – Floodland gear and equipment ↗
01 // A family of numbered rhythm instruments

The first RX pair

The RX11 and RX15 brought Yamaha’s RX name into the digital drum-machine market in 1984. A March preview pictured the two instruments together; an October review gave players a closer look at the pair. Their badges matter. An RX15 photograph is not an RX11 specification sheet, and the RX letters alone do not identify a particular set of sounds or controls. The numbered model is the useful starting point for following what a musician could actually do.

Yamaha RX Digital Rhythm Machines ↗ Yamaha RX11 & RX15 ↗

02 // A family of numbered rhythm instruments

A range takes shape

The October 1985 RX21 review shows another entry into Yamaha’s rhythm range, while the July 1987 Japanese catalogue places several RX models together. On the RX5, pitch and envelope editing, reverse playback and waveform cartridges gave the player ways to reshape the sampled material before building a part. Its detailed sound-editing surface belongs to that model. Follow the RX5 story for those controls, or the smaller instruments for their own panels and rhythms.

Yamaha RX21 ↗ Yamaha RX5 ↗ Portraits of an Artist: Yamaha synthesizer catalogue — original file currently unavailable

03 // A family of numbered rhythm instruments

An RX5 in the recording room

Jack Dangers names an RX5 in the studio around Meat Beat Manifesto’s Storm the Studio, where it helped sequence a larger setup. A technical account attributed to Andrew Eldritch describes RX5 drum sounds being resampled for Floodland. These are specific RX5 stories within the wider range. They give the family a musical life without turning an instrument credit into a claim about every RX model.

Classic album: Meat Beat Manifesto on Storm The Studio ↗ The Sisters of Mercy – Floodland gear and equipment ↗

04 // A family of numbered rhythm instruments

The unnumbered RX bank

The sample bank retained here arrived under the name Yamaha RX, without a model number. Its label is worth keeping, but it cannot choose between the RX11, RX15, RX21, RX5 or later machines for us. Keep it under the archive’s unnumbered RX label, and follow the identified instruments for their controls, sounds and working accounts. The bank’s missing number remains a question about its origin, not another Yamaha model.

Yamaha RX11 & RX15 ↗ Yamaha RX5 ↗ Yamaha RX21 ↗

MUSIC HISTORY

On record

  • Andrew Eldritch / The Sisters of Mercy — Floodland. Within Yamaha’s RX family, the RX5 became part of Andrew Eldritch’s Doktor Avalanche palette for Floodland. Eldritch says he chose it for a tighter snare, then resampled its kick, snare and hats into the album’s electronic skeleton. Source ↗

In the studio and on stage

  • Jack Dangers / Meat Beat Manifesto — Storm the Studio. Jack Dangers names a Yamaha RX5 in the equipment around Meat Beat Manifesto’s Storm the Studio, using it to sequence a studio that also held Roland drum machines, samplers and tape-synchronised effects. It is another specific RX5 story within the wider Yamaha family. Source ↗

Sources

  1. Yamaha RX Digital Rhythm Machines
  2. Yamaha RX11 & RX15
  3. Yamaha RX5
  4. Yamaha RX21
  5. Portraits of an Artist: Yamaha synthesizer catalogue — original file currently unavailable
  6. Classic album: Meat Beat Manifesto on Storm The Studio
  7. The Sisters of Mercy – Floodland gear and equipment

The visual archive

Further visual evidence.

Sources for images shown earlier (2)

Machine Museum image viewer

Period image shown in the dossier.