Preset analogue rhythm machine

Korg Mini Pops Junior

A small box, ten rhythms and a pulse that can hold a band together. The Mini Pops Junior offers a simple accompaniment to play against; in Liverpool, Will Sergeant took that compact proposition into Echo & the Bunnymen’s earliest shows.

Rhythm takes control →
Korg’s maker mark from its late-1970s catalogue. The full cover is available for inspection.Circa 1979 · KorgSource & credit ↗

Korg listed the Mini Pops Junior in its late-1970s range as a particularly compact automatic-rhythm machine.

Sources (2)
  1. Korg catalogue, Volume 4 ↗
  2. Echo & the Bunnymen’s First “Echo” Was This Drum Machine ↗

The machine in the record

Will Sergeant photographed for BOSS Articles in 2025.
Will Sergeant photographed for BOSS Articles; image credit Rod Brakes. It accompanies his recollection of the Mini Pops Junior in Echo & the Bunnymen’s early performances, not a named record or a period image of the machine.

Echo & the Bunnymen / the 1979 live set.

Will Sergeant remembers buying a Mini Pops Junior and using it in Echo & the Bunnymen’s early 1979 performances before replacing it with a Roland TR-66. It is a live-use story, not a released-track credit, but it reveals the small Korg at the beginning of a band’s development.

Read Echo & the Bunnymen’s First “Echo” Was This Drum Machine ↗

More records in the archive

The machine keeps turning up.

Cover artwork for Lunar Maps — Lunar Maps.
Lunar Maps — Lunar Maps: retained release artwork gives the documented machine story a record-world context; it does not depict the hardware, a session, or an individual track allocation.

Lunar Maps / Lunar Maps

Lunar Maps list the Keio Mini Pops Junior among the drum machines used for this 2010 recording.

Read Lunar Maps / Lunar Maps ↗
01 // Accompaniment

The smallest Mini Pops

The Mini Pops Junior keeps the family’s essential pleasure intact: choose a rhythm, set tempo and volume, and let a small box move the room. Ten combinable patterns and a flashing beat lamp make it feel made for an evening’s music rather than a display case.

Source (1)
  1. Korg catalogue, Volume 4 ↗

02 // Accompaniment

Liverpool, 1979

Will Sergeant remembers buying one for £80 and using it in Echo & the Bunnymen’s earliest shows, including a 1979 night at Eric’s in Liverpool. Before the band moved to a Roland TR-66, this small Korg supplied the pulse.

Source (1)
  1. Echo & the Bunnymen’s First “Echo” Was This Drum Machine ↗

03 // Accompaniment

The first echo

That memory gives the Junior a place far from its presumed domestic setting. A compact automatic accompanist found a new room, a young band and an audience ready to hear a programmed beat as something stark and alive.

Sources (2)
  1. Echo & the Bunnymen’s First “Echo” Was This Drum Machine ↗
  2. Korg catalogue, Volume 4 ↗

04 // Accompaniment

Will Sergeant’s first Echo

Will Sergeant recalls buying a Korg Mini Pops Junior for £80 and using it in Echo & the Bunnymen’s earliest 1979 performances, before the group moved on to a Roland TR-66. The story is a live-band origin rather than a named recording credit: an inexpensive preset box helped give the young group its first autonomous pulse.

Source (1)
  1. Echo & the Bunnymen’s First “Echo” Was This Drum Machine ↗

MUSIC HISTORY

On record

  • Echo & the Bunnymen / Will Sergeant — Early Echo & the Bunnymen performances (1979). Sergeant recalls buying a Mini Pops Junior and using it in the group’s early 1979 performances before it was replaced by a Roland TR-66. Source ↗
  • Will Sergeant / Echo & the Bunnymen — the group’s earliest rehearsals. Will Sergeant calls the Korg Mini Pops Junior Echo & the Bunnymen’s first drum machine. Source ↗

Sources

  1. Korg General Catalog, Mini Pops Junior entry
  2. Echo & the Bunnymen’s First “Echo” Was This Drum Machine
  3. Lunar Maps / Lunar Maps

The visual archive

Further visual evidence.

Sources for images shown earlier (3)

Machine Museum image viewer

Period image shown in the dossier.