Preset analogue rhythm machine

Korg Mini Pops 120P

The portable Mini Pops 120P brings accompaniment out of the furniture and into a carrying case. Set the rhythm and tempo, shape its balance, then bring it in from the panel or a footswitch while your hands stay on another instrument.

Rhythm takes control →
Korg Mini Pops 120 variants in the factory manual: portable 120P above left, wood-cased 120W below right.Undated · Korg Inc.Source & credit ↗

Korg’s Mini Pops 120P was the portable form of the Mini Pops 120, putting preset rhythms and performance controls into a compact case.

Sources (3)
  1. Open source 1 ↗
  2. Korg catalogue, Volume 4 ↗
  3. London Synthesiser Centre price advertisement, Beat Instrumental July1979, PDF p3 ↗

The machine in the record

Bernd-Michael Land / the SynXsS studio.

A studio account identifies a Korg Mini-Pops 120P in Bernd-Michael Land’s SynXsS setup. No composition is assigned to it. The image is still useful: one more example of a preset machine retained as an individual colour inside a long-running electronic studio.

Read Bernd-Michael Land and the Korg Mini Pops 120P ↗

More records in the archive

The machine keeps turning up.

Cover artwork for Space — Magic Fly.
Space / Joe Hammer — “Magic Fly”: retained artwork identifies the release context, not a machine, session or sound allocation.

Space / Joe Hammer / “Magic Fly”

Hammer says the song’s bass sequence was triggered by a Mini Pops 120.

Read Electronic Sound interview ↗
01 // Accompaniment

The 120 that could leave the room

Korg offered the Mini Pops 120 in two forms: the portable 120P and the wood-cased 120W. The 120P keeps a full automatic-rhythm instrument close at hand, ready to move between a living room, rehearsal space and working rig.

Sources (2)
  1. Open source 1 ↗
  2. Korg catalogue, Volume 4 ↗

02 // Accompaniment

The rhythm waits for a foot

Start/stop, tempo, balance and fade sit on the front, with a footswitch connection for the player who wants the entrance to happen at the right moment. This is accompaniment designed as a performance gesture rather than a fixed background.

Source (1)
  1. Open source 1 ↗

03 // Accompaniment

Part of the 1979 Korg range

Korg’s 1979 catalogue carried both 120 versions among its rhythm products. That catalogue image captures the Mini Pops at home in a broad instrument line, before the later drum machine made programming the central event.

Sources (2)
  1. Korg catalogue, Volume 4 ↗
  2. London Synthesiser Centre price advertisement, Beat Instrumental July1979, PDF p3 ↗

MUSIC HISTORY

On record

  • Space / Joe Hammer — “Magic Fly”. Hammer says the song’s bass sequence was triggered by a Mini Pops 120. Source ↗

In the studio and on stage

  • Bernd-Michael Land — SynXsS studio. A studio account identifies a Korg Mini-Pops 120P in Bernd-Michael Land’s SynXsS setup. Source ↗

Sources

  1. Mini Pops 120 / 120P / 120W Owner's Manual
  2. Korg General Catalog, 1979
  3. Beat Instrumental, July 1979
  4. Magnitudes: Behind-the-scenes of the MESS Synthesiser Orchestra’s live debut

The visual archive

Further visual evidence.

Sources for images shown earlier (2)
Additional visual sources (1)

Original publications and related image sources.

Machine Museum image viewer

Period image shown in the dossier.