Sampling drum workstation

Akai MPC500

Twelve velocity-sensitive pads and battery power let the MPC500 leave the studio desk.

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DOCUMENTS & IMAGES3

sources to explore

Read the dossier ↓

Akai’s MPC500 brought the portable MPC idea into the mid-2000s with twelve velocity-sensitive pads, CompactFlash, USB and a compact sampling sequencer. Battery power and the smaller twelve-pad surface made it an MPC designed to leave the studio desk.

The machine in the record

The xx in Mixdown Magazine coverage.
The xx in Mixdown Magazine coverage. The photograph identifies the group in the publisher feature, not an MPC500 or a specific recording session.

Jamie xx / “Intro”.

A retrospective gear feature says Jamie xx used two MPC500s to trigger loops and finger-drum in performances around The xx’s debut, connecting the setup to “Intro”. It does not reconstruct the exact session, but it places the pocket MPC in an early, defining live-record world.

Read Jamie xx and the Akai MPC500 ↗

More records in the archive

The machine keeps turning up.

Cover artwork for Dan Friel / Upper Wilds — Guitar Module 2017.
Dan Friel / Upper Wilds — Guitar Module 2017: retained artwork identifies the release or source-recording context, not a machine, session or sound allocation.

Dan Friel / Upper Wilds / Guitar Module 2017

Upper Wilds’ release page says Dan Friel performed Guitar Module 2017 using an Akai MPC500 sequencer.

Read Upper Wilds — Guitar Module 2017 ↗
01 // Standard

An MPC made to travel

Twelve velocity-sensitive pads and battery power let the MPC500 leave the studio desk. A musician can record a sample, place it under a pad and play the phrase into its sequencer. The compact case carries a 32-voice sampler and 48 sequence tracks, so the travelling part can include both its own sounds and MIDI instructions for other instruments.

Akai Professional unveils the MPC500 ↗ MPC500 Reference Manual, rev. C ↗

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A compact working surface

Pad banks extend the sounds available from the twelve-pad surface. Q-Link provides a way to change a sound parameter, while CompactFlash storage and USB carry samples and sequence data between sessions. The reference manual follows the same working order as the player: sample, assign, perform, edit and save.

MPC500 Reference Manual, rev. C ↗ MPC500 documentation index ↗

03 // Standard

Capability with a smaller screen

Mike Senior’s May 2007 review praised the amount of MPC functionality in the small box, while finding the display a constraint on working with it. The portability came with a more compressed view of the job. His UK review listed £399 including VAT; Akai’s announcement on 20 September 2006 had quoted a US MSRP of $1,299 and said the machine was shipping immediately. The figures describe different markets and moments. The announcement’s “shipping immediately” wording does not establish worldwide availability on that date.

Akai MPC500 ↗ Akai Professional unveils the MPC500 ↗

Recording and working accounts

Explore 2 source accounts

Sources

  1. Akai Professional unveils the MPC500
  2. Akai MPC500
  3. MPC500 documentation index
  4. MPC500 Reference Manual, rev. C

The visual archive

Further visual evidence.

Sources for images shown earlier (2)
Additional visual sources (1)

Original publications and related image sources.

Machine Museum image viewer

Period image shown in the dossier.