Preset rhythm machine

Keynote Auto-Rhythm Mark XX (MR-101)

The retained Dystopia photographs leave very little room for guesswork about this particular object: Keynote, Auto-Rhythm, Mark XX and MR101 are all printed across its brushed-metal face.

Undated record →
Keynote Auto-Rhythm Mark XX, MR101: the preset keys and variation controls.2024 listing · DystopiaSource & credit ↗

The Keynote Auto-Rhythm Mark XX carries the MR101 name on its own front panel. Its compact, wood-framed face belongs to a technical family also sold as the Jax 230 Auto Rhythm and Selmer MR-101 Auto Rhyth—a small but unusually well-documented trail of badges across early electronic rhythm.

Sources (5)
  1. Open source 1 ↗
  2. Open source 2 ↗
  3. Open source 3 ↗
  4. Open source 4 ↗
  5. Open source 5 ↗
01 // A wooden-cabinet rhythm box whose Keynote badge makes a shared Selmer, Jax and Keynote design family visible in full.

A nameplate worth reading

The retained Dystopia photograph leaves very little room for guesswork about this particular object: Keynote, Auto-Rhythm, Mark XX and MR101 are all printed across its brushed-metal face. The cabinet is handsome but practical—a row of dance-pattern buttons under three rows of variation controls, then sustain, tempo and power. It is the kind of domestic rhythm box that asks to live beside an organ, guitar amp or tape machine, not inside a rack.

Source (1)
  1. Open source 1 ↗
02 // A wooden-cabinet rhythm box whose Keynote badge makes a shared Selmer, Jax and Keynote design family visible in full.

One circuit, three badges

Tubbutec’s technical documentation groups the Keynote AutoRhythm with the Jax 230 Auto Rhythm and Selmer MR-101 Auto Rhyth. It maps ten trigger outputs for the shared design and notes that most respond to velocity. That makes the brand changes part of the story rather than a reason to blur them: the Museum keeps this page with the Keynote name actually visible on the machine.

Source (1)
  1. Open source 1 ↗
03 // A wooden-cabinet rhythm box whose Keynote badge makes a shared Selmer, Jax and Keynote design family visible in full.

A Selmer in Cabaret Voltaire’s early noise

Martin Mallinder recalled that the rolling tom figure in Cabaret Voltaire’s 1979 “Nag Nag Nag” came from a Selmer drum machine. David Buckley’s history of the group identifies that Selmer as an MR-101 Auto Rhythm. The route from this little home-accompaniment machine to Cabaret Voltaire’s abrasive early vocabulary is exactly the sort of sideways history the boxes keep offering.

Sources (2)
  1. Open source 1 ↗
  2. Open source 2 ↗
04 // A wooden-cabinet rhythm box whose Keynote badge makes a shared Selmer, Jax and Keynote design family visible in full.

The machine still has a voice

Reverb later made a Keynote MR-101 sample pack and demonstration available. It is a modern preservation project rather than an original factory recording, but it keeps the instrument’s sounds in circulation and gives the visitor a direct listening route while the Museum seeks a properly documented in-house study.

Source (1)
  1. Open source 1 ↗

Sources

  1. Dystopia: Keynote Auto-Rhythm Mark XX (MR-101)
  2. Tubbutec: MIDI for Selmer/Jax/Keynote Auto Rhythm
  3. Martin Mallinder on early Cabaret Voltaire
  4. David Buckley, Our Drum Machine Could Be Your Band
  5. Reverb: Keynote MR-101 Auto Rhythm Sample Pack demo

The visual archive

Further visual evidence.

These displayed records are labelled by their documented role, date and source; source-only records are listed separately below.

Sources for images shown earlier (1)

Machine Museum image viewer

Period image shown in the dossier.