Analogue drum machine

Acidlab Drumatix

Drumatix opens the familiar sixteen-step rhythm box to more sound choices. Two bass-drum voices and an array of tuning and decay controls give a player room to shape the beat as it runs.

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Acidlab Drumatix: manufacturer product image from its English manual.Undated · AcidlabSource & credit ↗

AMAZONA.de reported Acidlab’s Drumatix announcement on 13 April 2014, and Attack Magazine recorded pre-order availability that June. Contemporary reviews arrived in 2015, alongside the English manual’s June 2015 declaration.

01 // Origins

A 606 idea opened out

Acidlab announced the Drumatix in spring 2014 as an analogue machine built from the language of Roland’s TR-606 but unwilling to stop there. It arrived with added sounds and adjustable parameters, a compact contemporary instrument for players who knew the old box and wanted a more open version of the conversation. The April announcement and June pre-order report describe a product on its way; they do not establish first delivery, final pricing or the first territory supplied.

Top News: Acidlab Drumatix wird ein TR-606-Clone ↗ News Round Up: 6/6/14 ↗

02 // Voices

Familiar circuits, different choices

The manual traces the Drumatix through several Roland designs: bass drums drawing on different circuits, a rimshot related to the TR-808 and a clap in the Boss DR-110 family. The result is not a replica. It is a deliberately mixed vocabulary, turned into an individual analogue machine by extra voices and control.

Drumatix manual (English) ↗

03 // Programming

Patterns written while the pulse continues

Its 192 patterns sit in twelve groups, with step programming and real-time tap entry. Playback can continue while the player changes modes, and MIDI or Sync-In can take over transport when the machine joins a larger setup. That encourages a live way of writing: alter the rhythm while it is still telling you what it wants to become.

Drumatix manual (English) ↗

04 // Reception

What the first reviews liked

2015 reviews praised the aluminium case, additional instruments, individual outputs and expanded sound shaping. One enjoyed the accessibility of the sequencer and the quality of the snare sounds; another heard the Drumatix as a practical extension of the 606 rather than a museum-perfect copy. Both recognised a machine with its own working personality.

Test: Acidlab Drumatix ↗ Acidlab Drumatix ↗

05 // Studio & live use

A compact source for Acida Dominga

In 2025 Acida Dominga described Drumatix as her chosen drum source in a reduced setup built for both studio work and live performance, with an Akai MPC handling central sequencing and sampling beside a TB-303. It is a concise picture of why this kind of instrument endures: one box can keep the drum language immediate.

Interview Acida Dominga, Roland TB-303 Artist ↗

Acida Dominga working in her Berlin studio, as photographed for a 2025 AMAZONA.de interview
Acida Dominga in her Berlin studio, photographed for AMAZONA.de’s 2025 interview. Read the studio interview ↗

In the market

Explore 2 period price records

Recording and working accounts

Explore 2 source accounts

Sources

  1. Top News: Acidlab Drumatix wird ein TR-606-Clone
  2. News Round Up: 6/6/14
  3. Test: Acidlab Drumatix
  4. Acidlab Drumatix
  5. Drumatix manual (English)
  6. Interview Acida Dominga, Roland TB-303 Artist

The visual archive

Further visual evidence.

These displayed records are labelled by their documented role, date and source; source-only records are listed separately below.

Sources for images shown earlier (2)
Additional visual sources (2)

Original publications and related image sources.

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