Electro-mechanical preset rhythm machine

Wurlitzer Side Man

The Side Man brought electronic accompaniment into homes, clubs and organ showrooms.

The accompaniment years →
Wurlitzer Side Man owned by MobyView full scan ↗
Wurlitzer Side Man from the Official Moby Reverb Shop collection listing, c. 2018.c. 2018 listing · The Official Moby Reverb Shop / ReverbSource & credit ↗

Wurlitzer marketed the Side Man publicly by spring 1960. Billboard reported the newly marketed machine on 21 March; an April New York demonstration followed, and a June Down Beat advertisement listed it at $395 in mahogany.

The machine in the record

Cover artwork for LCD Soundsystem — This Is Happening.
Record artwork for LCD Soundsystem — This Is Happening; it identifies the album containing “Somebody’s Calling Me”, not the Wurlitzer Side-Man or a recording session.

LCD Soundsystem / “Somebody’s Calling Me”.

The release credits for This Is Happening name James Murphy playing Wurlitzer SideMan on “Somebody’s Calling Me”. The oldest machine in this group turns up on a twenty-first-century album as a particular rhythmic personality, not an antique decoration.

Read LCD Soundsystem — This Is Happening track credits ↗

More records in the archive

The machine keeps turning up.

Cover artwork for Geir Sundstøl — “Pøs”.
Geir Sundstøl — “Pøs”: retained artwork identifies the release or source-recording context, not a machine, session or sound allocation.

Geir Sundstøl / “Pøs”

Geir Sundstøl describes “Pøs” as pairing 1980s vocoder and Shankar guitar with the Wurlitzer Side Man.

Read Geir Sundstøl / St.hanshaugen Steel ↗
Cover artwork for John Carroll Kirby — Oropendola.
John Carroll Kirby — Oropendola: retained artwork gives this source-backed artist account a record context; it does not itself prove the machine, a specific sound, or a recording session.

John Carroll Kirby / Oropendola

A filmed “Oropendola” performance shows John Carroll Kirby working the Side Man’s individual drum buttons before moving to Rhodes.

Read John Carroll Kirby and the Wurlitzer Sideman on Oropendola ↗
Joe Mansfield’s Beat Box graphic, showing an Oberheim DMX, Roland CR-78 and Linn drum machine.
Joe Mansfield’s Beat Box graphic from the feature that preserves his Side Man recollection. It pictures a DMX, CR-78 and Linn machine—not the Wurlitzer Side Man—but places the find within his wider drum-machine collecting project.

Joe Mansfield / Personal drum-machine collection

Joe Mansfield recalls finding a Wurlitzer Side Man on a 1993 Detroit record-buying trip and keeping it in his drum-machine collection.

Read Joe Mansfield, “Beatbox Drum Machine Obsession” ↗
Cover artwork for Willy DeVille — Crow Jane Alley (For Jack).
Willy DeVille / John Philip Shenale — Crow Jane Alley: retained artwork identifies the release or source-recording context, not a machine, session or sound allocation.

Willy DeVille / John Philip Shenale / Crow Jane Alley

The personnel list credits Shenale with Wurlitzer SideMan and loops on “Chieva” and “Trouble Comin’ Everyday in a World Gone Wrong”.

Read Crow Jane Alley personnel listing ↗
Cover artwork for Emmet Zelo — Music for Roller Rinks.
Emmet Zelo — Music for Roller Rinks: retained artwork identifies the release or source-recording context, not a machine, session or sound allocation.

Emmet Zelo / Music for Roller Rinks

The release account says Emmet Zelo hoped the sounds of his Wurlitzer Sideman Drum Machine would move the skaters around the rink.

Read Emmet Zelo — Music for Roller Rinks ↗
Cover artwork for Joe Fahey / Tom Herbers — Tote Bag.
Joe Fahey / Tom Herbers — Tote Bag: retained release artwork gives the documented machine story a record-world context; it does not depict the hardware, a session, or an individual track allocation.

Joe Fahey / Tom Herbers / Tote Bag

The personnel credit for “rhibrhumba” names Tom Herbers on Wurlitzer Sideman, slide guitar, theremin and tabla.

Read Joe Fahey — Tote Bag ↗
Cover artwork for J’AIME / Jaime Cristóbal — 700,000 Records.
J’AIME / Jaime Cristóbal — 700,000 Records: retained artwork identifies the release or source-recording context, not a machine, session or sound allocation.

J’AIME / Jaime Cristóbal / 700,000 Records

The release account says Cristóbal sampled an old 1959 Wurlitzer Sideman for the track.

Read J’AIME / Jaime Cristóbal — “700,000 Records” ↗

Moby / Official Reverb Shop collection sale

Moby’s official Reverb shop sold a Wurlitzer Side Man Model 5000 Kit 9021 with footswitch from his private drum-machine collection.

Read Wurlitzer Side Man owned by Moby ↗
01 // Landmark

A founding-era rhythm machine

The Side Man brought electronic accompaniment into homes, clubs and organ showrooms. The Swiss Museum of Electronic Music Instruments dates it to 1959; the contemporary notices retained here document Wurlitzer’s public marketing in spring 1960. Those records describe different moments in the machine’s arrival.

Wurlitzer Side Man Electro-Mechanical Tube Drum Machine ↗

02 // Landmark

A spinning disc of dances

Vacuum tubes produce ten electronic drum sounds while a rotating metal-contact disc selects twelve rhythms: Beguine, March, Western, Waltz, Shuffle, Bolero, Rhumba, Cha Cha, Tango, Samba and two Fox Trot forms, with a metronome alongside. Its 36–195 BPM range gave the machine a broad domestic dance-band vocabulary without tape loops.

Wurlitzer Side Man Electro-Mechanical Tube Drum Machine ↗

03 // Landmark

Built for accompaniment

A top rotary selector chooses a style, a rod controls speed and power, and ten manual sound buttons let a player punctuate the automatic rhythm. The cabinet carries its own circuitry, amplifier and speaker, while a remote player brought the Side Man within reach of an organ keyboard.

Wurlitzer Side Man Electro-Mechanical Tube Drum Machine ↗ Wurlitzer Sideman advertisement attribution ↗

04 // Landmark

The advertisement as a window

A Popular Mechanics advertisement from November 1960 gives the Side Man a striking period presence: furniture-like cabinet, musical promise and a direct appeal to the player looking for a rhythm section at home. It catches the moment when a domestic accompaniment machine could still feel like a small technological marvel.

Wurlitzer Sideman advertisement attribution ↗

05 // Landmark

A public arrival in 1960

Billboard’s March 1960 report describes Wurlitzer’s plan to introduce the Side Man through NBC’s Today and Jack Paar. The New Yorker then reported from an April Wurlitzer lunch demonstration in New York. Those contemporary notices show the company taking the machine into public view.

TV Exposure For ‘Side Man’ ↗ Plop ↗

06 // Landmark

Wurlitzer’s $395 offer

In June 1960, Wurlitzer advertised the Side Man for $395 in mahogany, with walnut, cherry, blond oak and ebony alternatives. The same advertisement promoted 36–195 BPM, ten instruments, a syncopation footswitch, three hi-fi speakers, an amplifier and a 26 × 25 × 11½-inch cabinet.

Wurlitzer Side Man advertisement ↗

07 // Landmark

An electronic accompaniment instrument

The June advertisement emphasised that the Side Man ran without tapes or recordings. Contemporary reporting described oscillating tubes, a top-panel rhythm selector and manual sound buttons. The result is an electronic and electro-mechanical accompaniment instrument made for choice, interruption and participation.

Wurlitzer Side Man advertisement ↗ Plop ↗

08 // Landmark

A Side Man in James Murphy’s studio

Fifty years after Wurlitzer sold the Side Man as an organist’s companion, James Murphy brought one into LCD Soundsystem’s This Is Happening. The published track credits name it on “Somebody’s Calling Me”. That is a lovely afterlife for the furniture-like rhythm machine: not preserved behind glass, but folded into a record built from a crowded, curious room of old electronic instruments.

LCD Soundsystem — This Is Happening track credits ↗

Recording and working accounts

Explore 9 source accounts

Sources

  1. Wurlitzer Side Man Electro-Mechanical Tube Drum Machine
  2. Wurlitzer Sideman advertisement attribution
  3. TV Exposure For ‘Side Man’
  4. Plop
  5. Wurlitzer Side Man advertisement
  6. LCD Soundsystem — This Is Happening track credits

The visual archive

Further visual evidence.

Sources for images shown earlier (9)
Additional visual sources (1)

Original publications and related image sources.

Machine Museum image viewer

Period image shown in the dossier.